Terrain Power: Floating Castle, Part 2

Continuing in the redux of Remains of Empire, here are some terrain powers that I've used with great success in the finale encounter with the adventure's villain, Bozidar. In it, the PCs confront the final enemy in the ruined throne room of the shattered, floating castle. The magic spells holding the castle aloft have been greatly weakened, and as such, being of sufficient skill can warp the spells. The Dungeon Master should go out of his way to show off these terrain powers to the players, by having Bozidar use them frequently and by having a lareg font printout of the terrain powers laid out on the gaming table.

This is a tricky encounter to pull off. It requires the participants to all think in three dimensions, and envision this room rotating about. While there are many enterprising ways of representing a three dimensional encounter, those of use without the patience or arts & crafts skills will have to get creative. When I ran this encounter, I used a small marker, a business card with a large arrow printed on it, to indicate which surface of the room was down. I then had extra tiles, the long 2x8's, placed down beside the floors to represent characters on the "walls". Relative to the real world table (and its real world physical constraints), all of the minis moved while the Dungeon Tiles stayed stationary.

Rotating Room
At-will Terrain Power (Level 6)
At-will
Move Action; Personal
Check: Arcana  DC 23 [Hard]
Effect: The room rotates 90 degrees in any single axis. Each creature standing on the current floor of the throne room must make an Athletics DC 15 [Moderate] check to hold onto the a peice of the wall or other stable object and dangle from the new ceiling. While holding onto the wall in this way, the creature grants combat advantage to all attackers. A creature may also make a DC 23 [Hard] Acrobatics check to land safely on the new floor. Otherwise, the creatures are knocked prone and thrown onto the floor, taking falling damage as appropriate.

Features of the Area
Stained Glass Windows: A creature that is knocked into the window when the room is rotated shatters the glass and must make a saving throw. On a failure, the creature falls 90 ft. down to a floating peice of shattered castle outside, taking falling damage as appropriate. On a success, the creature is prone, hanging onto the window edge.

Arkham Friday - The Great Library of Vor Kragal

The tiefling empire once spanned thousands of miles and served as a testament to the power of its devil-bound overlords. The tainted masters of countless empires ruled from Vor Kragal, their seat of power. Vor Kragal pulsed with the terrifying might to break the souls of kings, and its markets flowed with the treasures of a hundred worlds. The secrets of life everlasting and the power to touch the face of the gods were all as commonplace to the tieflings of old as irrigating crops or erecting a simple stone wall is to those living in our current age. Precious few peices of their once-great libraries exist, tempting foolish adventurers of the current age. Such knowledge that is contained within; for even a glimpse of it, a person might trade his soul. Now, though, the ruins of Vor Kragal are merely an ashen landscape, riddled with volcanic eruptions and earth-rending sinkholes that unknown terrors call home.

Mining Cart Chase Scene

This picture from a product sold here.

Continued fom Part 1, here is the second half to creating an awesome mining cart chase scene. Now that we have the basic building blocks of the encounter down, we need to spice things up a bit and add in some elements to the encounter that force the players to change up their tactics round to round. It keeps them thinking and rewards (presumably) good choices. That is what keeps them engaged with the game and hnging on the edge of their seats.

For a typical N+0 Mining Cart Chase encounter, I like to break the action up into 5 distinct parts. The first four parts last precisely 1 round each, representing different areas and obstacles that the mining carts and their occupants traverse through. The last part is the end destination. This is a more standard area where all of the occupants are dropped off to finish the fight, and any occupants of destroyed carts can meet up in.

For this example, and what I wrote this for, is taken from the Demon Prince of Undeath Conversion of H2: Thunderspire Labyrinth. It replaces the chase scene through the ruined Dwarven fortress on foot with a chase scene of enemies racing against the PCs via mining carts that crisscross through vast underground caverns and the crumbling remains of a long-abandoned Dwarven outpost buried deep in the earth. In this encounter, there were both enemies in mining carts chasing after the PCs, as well as a Shadow Dragon racing after them.

This encounter features three (3) seperate tracks that the PCs must choose to go down in. Typically, players will split up their PCs into at least two different carts going down in different tracks. And really, that's he way to do it. It's pretty exciting to have a two-front battle like that unfold. Eventually, the players start getting wise to the system here, and will switch tracks so as to get all of their enemies on the middle track and then they have a cart on each of the outer tracks. It's not technically "flanking", but it does a great job of hitting the middle guys pretty hard.

This encounter really starts when it clicks for the PCs to start racing down the mining cart tracks. At that poin, describe in general terms what is down each track. In this case, there are tracks leading through the upper towers of the Dwarven fortress, there aretracks leading right through the center of the fortress, and there are tracks running through the deep underground parts of the citadel. It is assumed that the tracks crisscross and come back together enough so as to make the premise of the tracks being seperated by only a square (as described in Part 1) still plausible.

Each track then has different obstacles handed to it each round, small changes and checks that make shake up the battle. These effects, and any related skill checks or attacks, are done at the beginning of every combat round as free actions.

Vehicle: Mining Cart

The vehicles in Adventurer's Vault are a nice step in the right direction, and provide a starting example of how to slap some vehicular mayhem into your game. However, I think that vehicles are underused and underappreciated. Here's the first part of how to do a good mining cart chase scene, just like in Indiana Jones and teh Temple of Doom.



Step 1: Draw a combat map of 2-square-wide mining cart tracks, seperated by 1 square in between.

Step 2: Hand your PCs a couple of mining carts.

Step 3: Profit.

When running encounters with these vehicles, it's critical to keep things in relative motion and distance from each other. The base assumption is that all of the carts and their occupants are flying down the tracks at high speed. The important part, and the only part you need to map out, is where they are relative to each other. In this sense, upcoming hazards at the tracks are more coming at the carts, rather than the carts speeding towards the hazards. This isn't any new advice here or anything, the chase scene idea done this way is pretty old, but I thought I would be remiss if I didn't mention it.

Arkham Friday: Gloomwrought

GLOOMWROUGHT, DEMENSE OF MAD SORCERERS – Random Event Table (d20)

One of the brightest lights in the gloom of the Shadowfell, Gloomwrought is a large walled port city on the shores of the Stormy Seas. Surrounded by a perilous bog called the Skins, most travelers enter the city by way of dark one ferrymen who navigate the Skins, by magical portal, or by ship.

Prince Roland the Deathless is lord of the city, but real power is in the bony, decrepit hands of the mysterious custodians of the city known as the Keepers, a cabal of powerful necromancers whom have discarded their bodies to pursue of an unnatural afterlife of willful undeath.

Terrain Power: Karalel's End

Here are the terrain powers I've used for the finale encounter of Keep on the Shadowfell. I feel like they add a little bit of spice where it is sorely needed. As written, the final encounter, the climax of the adventure, is fairly stale. Not completely, I love the grasping claws of the shadowrift gate. That's definitely cool.

Where do I start? At the beginning. The first thing the players face is the blood-slick chains descending into the dark recesses where Karalel is chanting his ritual. The adventure uses the elevation change as an obstacle where it could be used as a creative decision point. I decided that the chains aren't just there for shwo, and hoity-toity Karalel isn't going to climb up and down them everytime he needs to leave the keep. Instead, there is a rusty, battered lift system attached to the chains. Players now get to decide: should they take the fast and dangerous route by sliding/climbing down the chains, or should they take the slow and safe route via the elevator? For my campaign, one of the PCs was a Tiefling hunting for relics of his people's bygone past. Hence, I decided to describe the architectural style and engravings of the lowest leevls of the keep and this elevator in the vein of Bael Turath. I wholehearted suggest you do this with the entirety of the keep. Split the layers it up into epochs that have signifigance to your players or to your campaign. Let the PCs explore the keep and peel back the veils of history.

Terrain Power: Floating Castle, Part 1

Awhile back, I posted that I'd be revamping the DDi adventure Remains of Empire with some extra features and try to bring out its sweet nectar of good storytelling from the cancer-riddled corpse of bad mechanics.

To start with, let's add some fun tricks. Here is a series of miscellaneous terrain powers that I used for my go at Remains of Empire. I sprinkled them throughout the encounters that take place once the PCs start hunting down the villain and his drake cavalry in their floating castle lair. I'm using these terrain powers to help tell the story of the collapsed tower, how it is nothing more than a ruin of its former glory.

This first terrain power is really fun in play, and literally shifts the battlefield around. In a highly lucky encounter with a lot of 20's, you start with a straight-up fight and end up with a game of island-hopping as the melee Strikers/Lurkers/Skirmishes try to outflank the Defenders/Soldiers on their way to the ranged combatants. This could also be reflavored for fighting on a floating island of garbage in the sea, breaking apart as the encounter progressed, an iceberg breaking apart in the arctic waters, or a bit of solid rock on a bubbling flow of lava.

Also, here are  a few terrain powers that can be used almost anywhere in the second half of the adventure. They're good all-purpose kind of terrain powers, in that they provide that all-important boost to damage or good tactical choice when all encounter and daily attacks have been exhausted. I've opted for a minor action attack here, which I think should be used more ften than it is. When you ask a player to sacrifice a Standard Action for a terrain power, you're really asking them to give up one of their class attacks. Class-based attacks are comfortable, familiar, and help define the character.  If you want your terrain to be used, either make the actions into Minor, or make the effects really spectacular.


Collapsing Castle
At-Will Terrain (Any Level)
The power of the Arkhosian rituals are being weakened. The flying castle is ripping apart and destroying itself, the strength of the ancient spells no longer capable of holding it together.
At-will
Free Action; Personal
Trigger: A creature rolls a critical hit
Effect: A crack forms in the ground, moving a section of the castle by 1 square. A gap between sections of the castle now exists.

Floating Debris
At-will Terrain Power (Level 3)
You jump up and kick a floating piece of rock, sending it hurtling towards your enemies.
At-will
Minor Action; Ranged 5
Attack: +8 vs. AC
Hit: 1d6+5 damage and the target is pushed 1 square.

Gravity Well
At-will Terrain (Level 3)
The ancient Dragonborn ritual has left pockets of transmuted gravity in teh wake of the castle's destruction. These can trap absent-minded explorers in a spiralling vortex.
At-will
No Action; Area of gravity well
Trigger: A creature starts their turn in the area of the gravity well.
Effect: The triggering creature is restrained until escape (DC 21).

Oil Cauldron in Gravity Well
Single Terrain (Level 3)
A globule of flammable pitch has been caught in this gravity well.
Single Use Terrain Power
No Action; Area of gravity well
Trigger 1: An area or close attack with the fire or lightning keywords touches the gravity well area.
Trigger 2: A character lights the gravity well area on fire with a torch or other source of flames.
Effect: Until the end of the encounter, creatures starting their turn in the gravity well take 2d6+9 fire damage.